Izabela Trzcińska, Agata Świerzowska
THE ORIGIN AND IMPACT OF THE THEOSOPHICAL CENTRE IN ADYAR
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Studia Humanistyczne AGH 16/4 (2017), 7-19 |
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Massimo Introvigne, PierLuigi Zoccatelli, Raffaella Di Marzio
THE RADICAL AESTHETICS OF THE MOVEMENT FOR SPIRITUAL INTEGRATION
INTO THE ABSOLUTE (MISA)
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Studia Humanistyczne AGH 16/4 (2017), 21-37 |
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Marek Tuszewicki
A POCKETBOOK OF WONDERS: MAYSES NOYROIM (DEEDS OF AWE, PIETRKOV 1913/1914)
AND THE REBBE OF RADZYMIN
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Studia Humanistyczne AGH 16/4 (2017), 39-48 |
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Monika Rzeczycka
ESOTERIC MYTHOLOGIES IN ACTION: IMAGES AND SYMBOLS
OF RUSSIAN ANTHROPOSOPHIC HISTORIOSOPHY (FROM LUDVIG A. NOVIKOV’S ARCHIVE)
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Studia Humanistyczne AGH 16/4 (2017), 49-57 |
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Roberta Moretti
MAGIC AS A SCIENCE OF IMAGINATION
IN THE WORK OF IOAN P. CULIANU (1950–1991)
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Studia Humanistyczne AGH 16/4 (2017), 59-67 |
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Diana Oboleńska
EMBLEMS AS HIEROGLYPHS OF THE IMAGINATION.
THE BLACK SQUARE BY KAZIMIR MALEVICH
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Studia Humanistyczne AGH 16/4 (2017), 69-77 |
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Edyta Tobiasiewicz
MICHAEL KIMMEL’S “THE GENDERED SOCIETY”:
CHALLENGES AND SOLUTIONS FOR THE DEGENDERING PROCESS
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Studia Humanistyczne AGH 16/4 (2017), 81-90 |
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